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Being a
drummer, you
may think that drum machines form an important part of my sonic
arsenal,
but really I cannot say this is so. I never really got into using the
sequencer
based approach of the drum machines I have and really only ever use
them
as sound modules driven by Cubase like the rest of the keyboards.
Having said this however, they are a good source for drum sound creativity when the standard kits that come with workstations etc run out. I have two drum machines at preset:
When playing the drum parts in my tracks I prefer to record them all in real-time as opposed to using sequenced pattern. This way there is more variation and I can put in my own ideas easier. These
machines are
used for occasional drum and percussion sounds, the JV1080 and more
specifically
the Techno card tends to provide most drum sounds, though from time to
time I will use samples or sample loops. The RY has come in very useful recently producing a rock drum kit for some tracks which sounds more authentic than the JV sounds. The Yamaha RY30 I came across the RY in a music shop in London - 'Tune Inn' to be precise a place I used to frequent. Being a drummer I have been naturally interested in drum machines, but my purchase of the RY has probably more to do with the sales ability of the salesman! At a time
I was desperate
for nice squidgy bass lines I was presented with a machine which could
give me both the drums and the acidy bass. It has resonant
filters
which can be applied to any or all it's sounds - Nice!! The
Alesis SR16.
This was sold to me by a friend many years ago and changed my music.
All
I had at that time was a Yamaha PSS keyboard with really horrible drum
sounds and so getting this machine meant I finally had "convincing"
drums. |